Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts
01 September 2010

Bangla Bands Rocked by Economic Slowdown

Kolkata, Sep 1 : The economic meltdown has hit almost every sector of the economy and the Bangla rock band circuit is no exception. These bands, with their catchy combination of rap and rock sung in folksy Bengali idioms, have enjoyed considerable popularity among both domestic and overseas Bengali audiences. But with everyone short of cash, they’re finding themselves increasingly out of tune with the times — financially, if not artistically.

Bangla bands rocked by economic slowdown

The problems started in 2008 when the slowdown was at its peak and several college fests were called off because corporate sponsorships dried up. "We did not do brisk business during 2008-09. The number of shows went down to 40 or 50 from about 100 per year and there were hardly any calls from abroad. In spite of this, we did not slash our rates," said Gaurav Chatterjee of Lakhichhara.

Bangla bands rocked by economic slowdown

The problem is compounded by the fact that audiences from the US are still not inviting the bands. Last year, Lakhichhara had to cancel its US tour owing to new visa regulations and another band called Cactus cancelled its US trip for this Puja because they had confirmed performances from only three or four cities.

Bangla bands rocked by economic slowdown

Bangla bands became a part of college fests in the 1990s and attracted corporate funding for promotional performances on product launches and related activities. "We do 80 to 100 shows in a year of which about half are for college fests.

"We charge around Rs. 70,000 to 80,000 per show," said Sidharta of Cactus. The approximate yearly turnover of a Bangla band is around 5 crore.

Bangla bands rocked by economic slowdown

The journey of the Bangla band started with Gautam Chattopadhyay's band Mohiner Ghoraguli (Mohin's horses) in 1960 but it turned out to be an idea ahead way of its time.

The real alternative music evolved in the 1990s when Jibonmukhi songs (songs of life) became popular with their everyday concerns that established a direct connect with the common man. Solo artists such as Nachiketa and Suman Chattopadhay were to be credited for this unique musical experiment.

It was around the late 1990s that bands like Fossil, Cactus and Lakhichhara started a new musical movement by blending rock music with Bengali lyrics and rose to instant popularity among the youth. Bands like Bhoomi and Chandrabindu carried forward the legacy of Bengali folk. Their popularity transcended borders and they were invited to perform at various music festivals and events.

Bangla bands rocked by economic slowdown

But faster economic growth has not improved the college fest scene significantly. The shortage of funds is forcing colleges to hire individual performers or opt for electronic music, both cheaper options, said Arnab Banerjee of True Colours, an event management firm. "As a result, most band members are stepping into new ventures of music production and compositions for serials and films," he added.

Not that the bands are losing heart. In the words of Gautam Chattopadhay, "Onek kichu korar ache (There is a lot to be done)."

Source: Business Standard

07 July 2010

Indian Band Girish N The Chronicles At Suncane Skale Music Competition

A Gangtok based rocked band ‘Girish ‘n the Chronicles’, has become the first Indian band to compete in Suncane Skale a music festival in Herceg Novi, Montenegro. The festival is celebrated every year during the summer.

The five member band, which is now in New Delhi, will participate in this three day festival, starting on 7th July 2010. They are preparing for the prestigious competition and clearing the visa and other travel formalities.

http://img.youtube.com/vi/FTwnW-oukrA/0.jpgThe ‘Girish ‘n the Chronicles’ band will be performing on the final day of the festival on 9th July. The three days of the music festival are categorized in three divisions- 7th July will be ‘the night of the “Prince awards’, 8th is for ‘unknown singers’ and the final day i.e. 9th July will be ‘the Grand Finale’.

Girish Pradhan is the lead vocalist of the band, who also plays the guitar. Noel Karthak Lepcha can be seen on the bass guitar, Nagen Mangarati on drums, Yogesh Pradhan on keyboards as well as guitar and Suraj Karki is the lead guitarist. Ronald Pradhan is managing the band.

Dr. Janice Darbari, the Honorary Consul General of Montenegro Consulate General Office, sent a letter to inform ‘Girish ‘n the Chronicles’ that they are the first band from India to be invited for this competition round of Montenegro festival. This opportunity has also given a musical recognition to the state Sikkim.

The Honorary Consul Generalof Montenegro in India has informed that the three day festival receives more than 200 hours of live air on Radio and television in Montenegro, which is watched in more than 50 countries of Europe and throughout the world.

The Consulate of Montenegro conducted a nationwide talent hunt in Guwahati a few months back in association with the Eastern Zonal Cultural Committee. The ‘Girish ‘n the Chronicles’ band’s ‘Angel’ won the talent hunt and thus got selected. The number was penned by Girish and arranged by his brother Yogesh. The organizers were very much impressed by the composition and invited the band to compose a fresh song for their performance in Montenegro.

The band is very confident of doing well in Montenegro. Hope they get a good recognition in the international market and come back home after being a success!
06 July 2010

Bob Dylan, Hop Farm Festival, Kent, Review

At 69, Bob Dylan sounds more comfortable performing songs from later in his career.
 
Bob Dylan
Bob Dylan Photo: PA
Bob Dylan concerts should come with a public warning: if you attend expecting to hear the young man of Blonde on Blonde or Bringing it All Back Home, his powers undiminished by cigarettes and time, then you will leave disappointed. If, on the other hand, you come to see Dylan at 69, in the middle of a late flourish of creativity, then he will still have the power to transfix you.
Since 1997’s Time Out of Mind, he has used themes of middle-age and mortality as inspiration, and he appears now as an ageing troubadour trying to process his new experiences into song. The breathy growl that his voice has become is backed by a supportive blend of rockabilly, rock ’n’ roll, blues and swing that emphasises his love for the American musical tradition. It’s this newer Bob who arrived at the family-friendly Hop Farm Festival for his only UK date of 2010.
Though opening with a collection of Sixties tracks (including Rainy Day Women #12 & 35, Just Like a Woman and Don’t Think Twice, It’s Alright), Dylan refashioned them as if they were taken from a more recent album. Simple Twist of Fate – from 1975’s Blood on the Tracks – now sees his broken voice exposed as the band hushes, providing the most affecting moment of the evening.

With a delivery somewhere between crooning and storytelling, he adds a moving sense of world-weariness to its heartbreaking end-of-marriage narrative.

Dylan sounds most comfortable performing songs from later in his career, and a quietly anthemic Working Man’s Blues and pacy Thunder on the Mountain show just how creative the past 13 years have been for him.

Here we get to listen to the songs as Dylan intended them to sound and, although the lyrics may not be hard-wired into fans’ memories, the passion of his performance made them unlikely highlights of the evening.

It was the slower, harmonica-fuelled Ballad of a Thin Man that was the evening’s stand-out moment, however. As he repeated the refrain ''…do you Mr Jones’’ with bitter clarity, it was impossible not to feel that the protest singer from Minnesota still has a hunger to attack the establishment and its hypocrisies.

The encore – the almost inevitable Like a Rolling Stone – was the one song where Dylan’s discipline slipped and he strained to sing like his younger self. The song is a crowd-pleaser, and both old and young fans were happy to assist as his voice was left horribly exposed by the rousing melody. It was ironic that the final song was Forever Young – Dylan seems to be at his weakest when he tries to keep up with his youth.

Having first seen Dylan in concert in 2003, I’ve witnessed how a lack of intonation and a lazy stage presence can make him a disappointing live performer. Here in the Kentish sun, though, he proved that he’s still more than capable of holding thousands of fans in thrall and – unlike many his age – restlessly refuses to imitate his younger self badly.
22 June 2010

World Music Day Celebrated In Nagaland

Dimapur, Jun 22 : The Fête de la Musique or the ‘World Music Day’ is celebrated all over the world on June 21.

The music enthusiasts in the North Eastern state Nagaland have proved that they are not behind as they celebrated this festival of music at the Jumping Bean Café in the state capital Dimapur.

In 1976, American musician Joel Cohen first introduced the idea of celebrating music. He suggested having an all-night music celebration during the summer solstice. Later, French Music and Dance director Maurice Fleuret took up the idea and the first celebration took place in 1982.

The celebration of ‘World Music Day’ started in France and reached many countries all over the world.

The gala musical event at the Jumping Bean Café was attended by Dr. Nicky Kire, the NKVIB chairman, Music Task Force advisor and MLA, who was the chief guest. He said that the state has many Naga talented musicians but most of them fade away after a brief take on their music career. He asked the local artists to come out and show their talent in the music field within and outside the state.

Dr. Kire stated informed that the state government is sincerely trying to support the music industry in Nagaland through its ‘Music Task Force’.

He urged the parents to motivate their children if they have talent in music. He appreciated the endeavor of the Jumping Bean Café, which offered a platform to the local musicians to showcase their talents and emphasized on setting up such platforms all over the state.

In the meantime the ‘Music Task Force’ donated a sound system to the Jumping Bean Café to show their appreciation of its efforts. During the celebration of ‘World Music Day’, Dr Nicky Kire inaugurated the music system.

This first ‘World Music Day’ celebration in the state was made more exciting by the performances of different local artists and bands of all genres. Alobo, Kenei, XTC, Flags of Rebellion, Vincent, Tuden, Melodrama, Alem Alia Jr and Kimatsung were among many other performers.

The music lovers from all over the state, mainly Dimapur came to take part in the celebration.

World Music Day is celebrated in several countries like Australia, Argentina, Britain, Switzerland, Costa Rica, China, Luxemburg, Germany, India, and Lebanon. Musicians give free performances for the public on this day. All kinds of musical performances are held and the musicians pay their tribute to all genres whether tribal, film Songs, Remixes, traditional, folk, Fusion, hip hop or rock.

19 June 2010

Miley Cyrus Strikes a Chord With Recovering Poison Singer Bret Michaels

he got her first taste of live music at a Poison concert years ago and yesterday Miley Cyrus got to rock out with the band's frontman on stage.

In ripped black trousers, cropped black David Bowie T-shirt and several necklaces, Cyrus looked pure rock chick as she performed solo material before being joined by the Poison front man

Miley Cyrus

Rock chick: Miley Cyrus performs a duet with Poison front man Bret Michaels at a Good Morning America Concert in New York today

Miley Cyrus

Unlikely partnership: Cyrus and Michaels sing Every Rose Has Its Thorn

The one-off New York concert was part of a series of summer gigs put on by TV show Good Morning America.

The unlikely pair sang a version of Poison hit Every Rose Has its Thorn, which appeares on Cyrus' edgier new album Can’t Be Tamed.

'My first concert was a Poison concert,' she later revealed. ‘That was an interesting night. I was probably about eight and my mum dragged me and my brother.’

Miley Cyrus

Contrast: Michaels and Cyrus look happy following their surprise duet

Cyrus is in the midst of a promotional tour for the record, the first of her albums which she claims is ‘completely me.’

'You have to be who you are to the full,' Cyrus said during an interview with the popular U.S. morning show.

'There's nothing that I'm holding back. And that's what I want to give to my girl fans. Just be who you are'

Michaels, who looked in good health after suffering a life threatening brain hemorrhage last month, said that he and the Cyrus family had been 'friends for a while.'

Miley Cyrus

Montana no more: Miley Cyrus' new image is a far cry from her squeaky clean Disney past

‘She's a great musician and she's one of those people who will make that huge transition into remaining a superstar. She can rock it for sure,’ he said

With her Hannah Montana show coming to an end after one more season, Cyrus is set to film two new movies, one of which involves playing Demi Moore’s daughter in the comedy LOL.

‘It’s going to be good to be around somebody that I love and somebody I can look up to,' Cyrus said. 'She's so smart. She's had an amazing transformation so I think I can learn a lot from her.'

15 June 2010

Slash Interview

Once the epitome of the hard-living heavy metal superstar, former Guns N' Roses guitarist Slash has released a solo album, Roadrunner, and is now a tee-total non-smoker, who also happens to be English.

By Craig McClean

Slash

Slash Photo: DAN BURN-FORTI

The Royal Variety Performance, Cardiff  Nov 2005. Queen Elizabeth II, Cliff Richard, Ozzy Osbourne and Slash.

The Royal Variety Performance, Cardiff Nov 2005. Queen Elizabeth II, Cliff Richard, Ozzy Osbourne and Slash. Photo: REX

Slash of 'Guns and Roses' and Michael Jackson performing onstage at the 1995 Video Music Awards in Los Angeles, CA on September 7, 1995.

Slash of 'Guns and Roses' and Michael Jackson performing onstage at the 1995 Video Music Awards in Los Angeles, CA on September 7, 1995. Photo: GETTY

Slash, the erstwhile Guns N’ Roses guitarist and the most rock ’n’ roll dude in Los Angeles, strides into the Sunset Marquis hotel and past the foyer’s Whiskey Bar – where he first met his wife, his friend and fellow English transplant Robbie Williams, and, no doubt, many others – and up to a first-floor room.

He’s ostensibly here to discuss his robustly tuneful debut solo album, which debuted at number three on the US charts (just behind the teenage heartthrob Justin Bieber, of all people) and which features vocals from Ozzy Osbourne, Iggy Pop, Lemmy, Alice Cooper – the kind of cockroach-like hard rock survivors that we’d expect to work with Slash – as well as Fergie of the Black Eyed Peas. But then Slash’s extravagant talents on the guitar have previously seen him work with everyone from Michael Jackson to Rihanna. In matters musical and recreational, he’s a rather catholic chap.

Slash is one of the most iconic and familiar figures in rock. Sunglasses? Check. Rock T-shirt and dirty jeans? Check. But today he is not rocking a top hat; his fuzzy black afro bursts wild and free and explosively around his Mount Rushmore face. And there’s something else. He doesn’t have a cigarette dangling from his lips.

'I’ve been off them for a year,’ he says, gravelly, gravely as he settles into a sofa and stares down a bottle of mineral water.

What, I ask, was his motivation? 'Well, you know, the missus was bugging me about it,’ Slash says with a chuckle. Having been born in Stoke-on-Trent and possessed of a British passport – he and his parents moved to the United States when he was six – the man christened Saul Hudson is perhaps the only LA rocker qualified to use the word 'missus’. Anyway: 'the first time I quit smoking was because we’d just had a baby and she claimed the baby smelled like an ashtray. So I thought, well, I’ll give it a shot. So I quit for a year and then I started again.

'Then this time my mom died of lung cancer, and I got sick with pneumonia.

'And after I got sick I had a cigarette in my hand and a lighter and I was about to smoke – and it just seemed really stubborn of me.’

Ola Hudson was a high-end music industry costume designer. She clothed Diana Ross, George Harrison, John Lennon and Yoko Ono. After she and Slash’s father – Anthony Hudson, a graphic designer who worked on album sleeves for Neil Young and Joni Mitchell – divorced when Slash was eight, she dated, among others, David Bowie. It’s through Bowie that Slash knew Iggy Pop when he was a boy. His mother was also a life‑long smoker.

'One of the regular statements that my mom made all my life was: “I’m gonna quit one of these days.” And she never did. But it was actually a shock ’cause she was in great health. And she went to the doctor about a bruise that she had from bumping into something and somehow they diagnosed her with cancer,’ he says sanguinely. 'It was the weirdest thing.’

As for her son, 'I just always smoked. A lot of vices that I’ve had over the years were always to make up for some sort of character deficiency, one of them being shyness. So I used to drink a lot, or do drugs. It’s not been too difficult to give up smoking, apart from the fact that I’ve found that I use Twitter all the time to keep my hands busy!’

And what of his fondness for Jack Daniel’s, liquor of choice for heavy metal bacchanals? It seems Slash hasn’t had a drink for four years.

'I quit doing drugs. But ’cause I’m a habitual kinda guy, if I quit doing drugs, then I drink. And then if I quit drinking, I do drugs – forever. So I quit doing drugs this one time, and I decided not to drink too. It’s been four years. And I really don’t miss it.’

Of all the things Slash has given up, what has been the most difficult? It’s certainly not Guns N’ Roses. He joined the nascent line-up, fronted by singer Axl Rose, in his late teens in 1985. Together they enjoyed 11 years of raging success. GN’R’s first album, 1987’s Appetite For Destruction, sold 28 million copies, propelled by the deathless rock anthem Sweet Child O’ Mine, which itself was propelled by Slash’s signature guitar riff. The band went on to gargantuan stadium-sized success, selling more than 100 million albums, and Slash became one of the greatest guitarists of his generation.

Last year he came second in Time magazine’s ranking of all-time electric guitar heroes (Jimi Hendrix came first).

But success went to Rose’s head, and to Slash’s veins. The singer developed a messiah complex, and the guitarist cultivated a full-blown heroin addiction. Rose ended up the sole original member of the band; in 2008 he finally managed to release Chinese Democracy, Guns N’ Roses’ sixth studio album. It took him more than a decade to make and cost a figure reportedly somewhere north of $13 million, which would make it the most expensive album in the history of time.

Post GN’R, Slash formed Velvet Revolver with bassist Duff McKagan and drummer Matt Sorum (also GN’R alums), in which the bad behaviour continued.

In his outrageously entertaining and candid 2007 biography, he depicts a life of rampant sex with groupies, coke for breakfast, guns for kicks, snakes for pets and the chaos that ensues when LA wild boys start earning millions upon millions of dollars.

You might call it picaresque, if the tales of shooting up coke/heroin speedballs and psychotic behaviour weren’t so alarming. At one point Slash’s conviction that there were little men following him everywhere - cavorting up his arm - even spooked his drug dealer. Slash writes of his dealer’s response: 'You’d better go, man. You’re way too out there. You should go home.’ 'Apparently,’ Slash noted wryly, 'I was bad for business.’

Slash is a coolly honest and relaxed chap. He is robust, and alert, and self-deprecating. Maybe it’s his English genes but – sunglasses indoors notwithstanding – there is no LA swagger about him. He’s cuddly, almost, and hugely entertaining company, with none of the post-rehab piousness that can attend former addicts. Looking back, was he never frightened by the depths of depravity to which he sank? Seeing little men dancing on his curtains – was that food for thought?

'No!’ he laughs. 'See, that’s what was wrong with me. I loved all that s---.

'Oh yeah! The near heart attacks, all the hallucinating, and the whole f------ thrill of chasing my dealers down – everything that was wrong about doing drugs I liked about it.’ Because you were a thrill-seeker, and a lonely man to boot?

'I think you just summed it up right there – lonely thrill-seeker! But you know, I have no regrets about my drug stuff. People always go: “Oh, now you’re a role model for going straight.” I say: “I’m not a role model, I just got sick of it.”’

Slash initially met his second wife Perla at a Guns N’ Roses concert afterparty in Las Vegas.

'We had our little fling for a second. I knew that I was seriously attracted to her. And I didn’t need that in my life, so we stayed apart.’ They remained friends, but then one night in 1997 they met again in the Sunset Marquis’s Whiskey Bar and have been together ever since. The love of a good woman didn’t exactly make Slash settle down, though.

'She and I were hard-core partiers for a long time. When we walked into a room you knew there was trouble. She was more hard-core than I was!”

Really?

'Yeah! And also, more – what’s the word for it? – more outspoken. A tougher all-round person. I’m sort of quiet. I don’t want to draw attention to myself if I can help it,’ he offers. 'She, on the other hand, started trouble. So between the two of us, Sid and Nancy had nothing on us. We weren’t necessarily that stupid though. Although we did have a couple of rows that were, you know, serious. Cops coming and s---.’ You were the injured party? 'There was one time when we both were. Anyway,’ he says brightly, 'we’ve had an interesting existence. Then at some point somehow we both just mellowed out a little bit. We’re still a pretty rockin’ couple though, I gotta say.’

Slash, Perla and their rockin’ sons London, seven, and Cash, five, live at the top of a pricey hill in Hollywood. Their neighbour is Robbie Williams, coincidentally another Stoke boy made good. Now sober Slash and sober Robbie have regular poker sessions together. 'He’s a good poker player,’ Slash says approvingly. One night all Williams’s 'Stoke buddies’ were in town, so Slash had his father come over too. 'It was a room full of Stoke guys talking about football.’ His father, he says, still has his Potteries accent. 'I do consider myself British. I have very strong feelings about my British heritage. My first years were there, I went to school there, and I have seemingly endless family on that side of the pond. So I’ve always felt most comfortable in England.’

Slash doesn’t do regret, nor rancour. He calmly refuses to be drawn on the (de)merits of Chinese Democracy – 'you know I’m not gonna give you the answer you want for that!’ He seems more tickled than anything by reports that Axl Rose has banned from Guns N’ Roses concerts anyone wearing Slash T‑shirts. 'I don’t know if that’s really true. I like to give the benefit of the doubt. But some people swear it’s true.’ He’s not even bothered by Axl Rose reportedly calling him 'a cancer’.

'You know,’ he chuckles, 'that’s sorta funny. The fact that he would go and say that – I started thinking about it: I’m around a lot so to him I probably am a cancer. And now the record’s doing really well, I’m even more cancerous! And apparently we’re gonna be touring Europe at the same time, which will put even more emphasis on the cancer thing!’

Slash says you’d have to be 'out of your head’ to want a career in music, yet he wouldn’t have had it any other way. Not least because, for the man once given six days to live if he didn’t quit drinking, music saved his life. 'On my own I’m very self destructive,’ he admits. 'The only thing that saved me was music - my desire to play.’

  • 'Slash’ (Roadrunner) is out now. He plays today at the Download Festival, and Glastonbury Festival on June 27
08 June 2010

Naga Girls Tops Berklee College of Music Exam

Dimapur, Jun 8 : Nagaland has added one more feather in its cap in the filed of music.

This time, Sentirenla Lucia Panicker of Dimapur scored ‘A’ grade in all her subjects in Music from the most prestigious institution ‘Berklee College of Music’, Boston, Massachusetts, United States of America.

She did her major in ‘Performance’ and also won the annual award ‘The Sylvia Zunz Endowed Scholarship’.

It was a wonderful moment for her when she was selected to perform on May 7 at Berklee 2010 Commencement Concert.

Out of 862 students who had graduated, only few were selected to sing ‘Naima’, a sad song of the difficult days of the Blacks in South Africa, sung by the famous South African singer and producer, ‘Angelique Kidjo’, who herself was present at the concert.

It was to Lucia’s credit that Angelique walked up to her and hugged her in front of the audience saying “You brought tears to my eyes” and signed her autograph.
naga girl
Lucia Panicker (right) performing at the Berklee 2010 Commencement Concert, and left, being hugged by the famous South African singer and producer, ‘Angelique Kidjo’ after a touching performance.

Lucia started singing at the age of 9 and also sang for an English channel ‘No kidding’ for Doordashan, besides lending her voice for advertisements in various TV channels.

It was her luck that in 2006 while she was studying in International College of Music in Malaysia, a team from Berklee College of Music visited the campus to select students and Lucia was among the two selected under ICOM in 2006 with a scholarship for four years due to her excellent performance.

She was also among the 3 students who were selected to sing at the swearing in ceremony of the governor or Massachusetts in 2009, where President Barack Obama paid a short visit.

Lucia is the daughter of Bobby Panicker and Narola Nokden, and resides in Diphupar, Dimapur.
Lucia wants to build a career in music for few years in USA and sing gospel songs in memory of her late grandfather Padmashree Nokdenlemba Ao, and then to return to Dimapur to support young talented boys and girls in the field of music.

[ via Nagaland Post ]

Jon Bon Jovi Become First Ever Band to Perform on O2 Rooftop

Jon Bon Jovi and his band kicked off their 12-date show at London’s O2 Arena by performing live on the rooftop.

They became the first act to ever perform on top of the former Millennium Dome in Greenwich on Monday afternoon.

Jon Bon Jovi

Jon Bon Jovi and his band members perform on the roof of the O2 Arena in Greenwich, London to kick off their 12 night residency at the O2

The rooftop gig was seen more clearly by fans though on HD screens that were set up at Peninsula Square.

Climbing onto the top of the arena proved to be quite a challenge though and the musicians were helped by trained mountaineers in their quest to reach the summit.

Jon Bon Jovi Jon Bon Jovi climbed onto the roof of London's O2 Arena with the help of trained mountaineers to perform with his band

The extravagant set was to mark the beginning of their residency at the O2, where they opened the venue in 2007.

And Bon Jovi’s concerts will be supported by an unsigned band from the Highlands, who won a competition to play ahead of the US rockers.

Jon Bon Jovi Jon Bon Jovi

Luckily the band missed the rain and played on an overcast summer's day in London

The Side will play their first supporting act on Tuesday night after being selected from a shortlist of entries in the contest.

Guitarist Hugh Winton, drummer John Ross, keyboards player George Campbell and bass guitarist Ryan Golder, were chosen by Bon Jovi’s band and its management.

Jon Bon Jovi Jon Bon Jovi's performance was shown live on Sky News in HD on Monday afternoon

Despite the excitement of touring, Bon Jovi said before his rooftop show that he hates being away from his family.

‘It’s horrible when you are away touring, it’s terrible – you are away from everyone and it can be for long periods, but so are travelling salesmen and soldiers’, he told the Daily Mirror.

Jon Bon Jovi Jon Bon Jovi rocks out on his guitar on the roof top of London's O2 Arena

[ via Dailymail ]

Shakira's Back to Her Muddy Best For Official World Cup Song Waka Waka

By Chris Johnson

It's been almost a decade since Shakira burst on to the music scene, writhing around in a pool of mud in her famous video Whenever, Wherever.

And nine years on, it seems the Columbian singer still likes getting her hands (and more) dirty, as proven by her display in the video for her latest song Waka Waka (This Time For Africa) - the official World Cup song.

The 33-year-old turns tribal as she gyrates to a drum beat, thumping her stomach and shaking her hips as only she knows how.

Shakira

She's still got it: Shakira appearing in her new video Waka Waka (This Time For Africa), the official World Cup song

Covered from head to toe in dark body paint, Shakira shows off her curves and enviably toned torso in a very low-cut top and minuscule wrap-around skirt.

With her dirtied complexion and tousled hair, she could well have crawled her way through another mud pit.

The popstar is joined by African fusion band Freshlyground and a bevy of dancers in the clip that sees her slip into a range of sexy outfits.

Shakira

Kicking it: The singer wears a revealing ensemble that shows off her incredibly toned figure

Shakira

Body paint: Her muddied complexion is not unfamiliar for the Columbian star

In another look, she goes more glamorous in a playsuit-style ensemble and long straight blonde hair.

The video is augmented by footage from football matches and worldwide World Cup celebrations in a number of foreign cities.

English funnyman Frank Sidebottom also briefly makes an appearance, alongside a number of footballers including Christiano Ronaldo, Frank Ribery and Didier Drogba.

...Remember how it all began? Writhing around in mud...

Shakira

Sultry: Back in 2001 she caused a stir as she burst on to the music scene, writhing around in a shallow pool of mud in her video Whenever, Wherever

Shakira will perform the song at the Kick-Off Celebration concert in Soweto on Thursday, the eve of the opening match of the tournament.

She arrived in South Africa yesterday, looking happy and relaxed wearing jeans, heels and a leather jacket, as she arrived at the Oliver Tambo International Airport in Johannesburg.

Her arrival caused a bit of a stir in the host country, with police and security officials forced to battle to keep Shakira safe from the crowds of fans who were also at the airport to welcome Germany's football team.

Shakira

Strutting her stuff: Back in her Waka Waka video, she also wears a plethora of revealing outfits, naturally

Shakira

Feisty: Shakira will perform the song at the World Cup opening ceremony on Thursday in South Africa

Speaking about her decision to perform the official tournament song, Shakira said: 'The FIFA World Cup is a miracle of global excitement, connecting every country, race, religion and condition around a single passion.

'It represents an event that has the power to unite and integrate, and that's what this song is about.'

She added: 'This song is a synthesis of the passion for soccer and what it arouses in people.'

Other stars to perform at the Kick-Off concert on Friday include Alicia Keys, the Black Eyed Peas, John Legend, the Parlotones, Hugh Masekela and Freshlyground.

SHAKIRA

Touching down: She arrived at Johannesburg yesterday and was greeted by an army of fans

[ via Dailymail ]

26 May 2010

Kylie Minogue writhes among half-naked extras in sexy video for new single All My Lovers

By Sarah Bull

Her previous videos have seen her dancing on a table in gold hotpants and performing a sexy routine in a plunging white catsuit.

So it comes as no surprise to see Kylie Minogue writhing around among half-naked extras in the video for her new single All My Lovers.

Wearing a white cobweb-style T-shirt over a bra and knickers and matching white thigh high boots, the 41-year-old singer is seen with a look of ecstasy on her face as she lays on the top of her lingerie-clad co-stars.

Human mountain: Kylie Minogue writhes among her half-naked co-stars in the video for new single All My Lovers

Sensual: Kylie Minogue writhes among her half-naked co-stars in the video for new single All My Lovers

Youthful: The singer looks ultra sexy in the sheer outfit for the new video

Youthful: The singer looks ultra sexy in the sheer outfit for the new video

The video - directed by Joseph Khan, who has directed videos including Britney Spears' Toxic - won't be released until next month, but fans have been teased with a taster preview.

And it isn't only Minogue who is getting sexy in the new video - her co-stars also appear to be overcome by the mood, and are seen passionately kissing and embracing throughout.

Sexy: Minogue's co-stars are seen passionately kissing throughout the video

Sexy: Minogue's co-stars are seen passionately kissing throughout the video

Kyllie Minogue video

Human mountain: Minogue stands on top of her co-stars while filming the video in Los Angeles earlier this month

The All My Lovers video also shows Kylie has no intention of covering up her figure, or her most famous asset, as she gets older.

She said recently: 'Every time I put on a pair of hotpants I think, "This is the last time." But it's not. It makes me laugh that my bum has become such an obsession!

'When it came to the video and I knew I was going to be in tiny hotpants again, I was like, "Cover my legs and bum with body make-up." It's definitely the way forward and my secret to having a great bottom!'

All My Lovers is the first track to be taken from Minogue's upcoming 11th studio album entitled Aphrodite, due for release on June 5.

Kylie MinogueKylie Minogue

Daytime casual: Minogue wore a loose vest top and skinny jeans as she visited her management offices in London yesterday

Explaining her inspiration for the track, she explained: 'The single was one of the last tracks to be written for the album.

'As I was recording it I knew that All The Lovers had to be the first single as it sums up the euphoria of the album perfectly.

'It gives me goose-bumps, so I’m really excited to hear what everyone thinks of it.'

[ via Dailymail ]

24 May 2010

Bob Dylan’s 69th Birthday Celebrated

portal on indian news

Kolkata, May 24 : Celebrating the 69th birth anniversary of the legendry American musician Bob Dylan, Jim Beam, owned by fourth largest spirits company Beam Global Spirits & Wine Ltd, hosted a rock concert at The Park in Kolkata; with celebrity performer Lou Majaw and sensational band The Bad Monkeys.

The soulful evening witnessed live rock performances which mesmerized the audiences. The marvelous performances set the mood just right for a perfect evening. It was indeed a beautiful night where the rock music lovers were seen enjoying great music with the world’s largest selling bourbon whiskey Jim Beam.

Lou Majaw (born 1947) is a Khasi guitarist popularly known as the "One of the Biggest Fans of Bob Dylan in the North-East". Born to a poor family, the Majaws could not afford a guitar or a radio. In a friend's house he was introduced to the music of Bill Haley and Elvis Presley, and taught himself the guitar in school.

Majaw then moved on to Kolkata (Calcutta) where he played in bars and pubs for various groups such as the Dynamite Boys, Vanguards, Supersound Factory, and Blood and Thunder. In 1966, Lou was introduced to Bob Dylan's work.

Inspired by his music, he later organized a "Dylan's birthday concert" in Shillong on 24 May 1972. Since then he has organized the concert each year on 24 May to pay obeisance to Dylan, with the shows eventually gaining national and international fame.

[ via India Blooms News Service ]

17 May 2010

Heavy Metal Legend Ronnie James Dio Dead at 67

Legendary heavy metal singer Ronnie James Dio has died at the age of 67.

The rocker, who replaced Ozzy Osbourne in Black Sabbath, was suffering from stomach cancer.

Dio told revealed he had contracted the disease last summer, shortly after wrapping up a U.S. tour with the latest incarnation of Sabbath, 'Heavem & Hell'.

'Today my heart is broken,' Wendy Dio wrote on the singer's site, adding he died at 7.45am.

 Ronnie James Dio

Metal legend: Ronnie James Dio performs on stage during a concert in Oslo last year. He passed away yesterday

'Many, many friends and family were able to say their private goodbyes before he peacefully passed away.

'Ronnie knew how much he was loved by all,' Wendy Dio continued.

'We so appreciate the love and support that you have all given us... Please know he loved you all and his music will live on forever.'

The statement was confirmed by publicist Maureen O'Connor, who said Dio died in Los Angeles.

He had been treated at a Houston hospital, according to his site.

Though Dio had recently undergone his seventh chemotherapy treatment, he was hopeful to perform again.

Earlier this month, Heaven & Hell cancelled its summer tour, but Dio did not view being sidelined as a permanent thing.

'Wendy, my doctors and I have worked so hard to make it happen for all of you, the ones we care so much about, that this setback could be devastating, but we will not let it be,' he said in a statement.

'With your continued love and support, we... will carry on and thrive. There will be other tours, more music, more life and much more magic.'

Dio rose to fame in 1975 as the first lead singer of Rainbow, the heavy metal band put together by guitarist Ritchie Blackmore, who had just quit Deep Purple.

Ronnie James Dio

Dio performs with Heaven and Hell during the Montreux Jazz Festival in Montreux, Switzerland, two years ago

Dio then replaced Osbourne in Black Sabbath in 1979 with the critically acclaimed album 'Heaven And Hell,' considered by many critics to be one of the finest heavy metal albums of all time.

His on-again, off-again tenure with Black Sabbath touched off an intense debate among fans as to which singer was the true essence of the band - a discussion that lasted until his death.

He also enjoyed a successful solo career with his self-titled band, Dio, in between his three stints with Black Sabbath (1980-82; 1992; and 2007-2009, when the band toured as Heaven And Hell, to differentiate it from Osbourne-led versions of Sabbath).

Many of his most memorable songs revolved around the struggle between good and evil, including his signature tune 'Heaven And Hell'.

He also drew heavily on medieval imagery in songs like 'Neon Knights,' 'Killing The Dragon' and 'Stargazer'.

'He possessed one of the greatest voices in all of heavy metal, and had a heart to match it,' said Twisted Sister guitarist Jay Jay French, whose band toured with Dio since 1983, and was to do so again this summer at European rock festivals.

'He was the nicest, classiest person you would ever want to meet.'

Dio organised an all-star charity collaboration in 1986 called 'Hear N' Aid' to raise money for famine relief in Africa, styled on the successful 'We Are The World' campaign of a few years earlier.

His solo hits included 'Rainbow In The Dark,' 'The Last In Line' and 'Holy Diver.'

In addition to his wife, Dio is survived by son Daniel; grandchildren Julie and Joey; and father Pat.

15 May 2010

Mug-full of Boomerang at Hard Rock Café, Bangalore

By Nishal Lama

While Bangalore is gearing up for one of the biggest music festivals in the country – The Summer Storm – people, too, seem to be waiting for the gig in anticipation, of course with the metal horns raised up in the air.

The band members are Atea (vocals), Boom (Guitars), Joshua (Bass) and RS aka RosanglianaThe band members are Atea (vocals), Boom (Guitars), Joshua (Bass) and RS aka Rosangliana


Raising the bar on music, Boomerang, the band from the distant land of Mizoram,  rocked Hard Rock Café, Bangalore, in a gig yesterday. It was a warm-up session for the band and to give the public a taste of what was lined up for Bangalore on May 15. The band will be opening for the Summer Storm Festival, where the quartet will share the stage with Lamb of God, the headlining act. Other bands playing will be Scribe, Mumbai, Extinct Reflection and Bhoomi from Bangalore.

Sitting on couches, just before the gig, just after sound check, we sat down for a chat about their music, Mizoram and the road ahead. For first time, for a music festival in the city, of such magnitude, a band from the North-East of India will be playing the opening set. 

The band members are Atea (vocals), Boom (Guitars), Joshua (Bass) and RS aka Rosangliana; while the latter two preferred to be the silent listeners throughout  the chit chat, Atea and Boom did all the talking.Extracts:

MyBangalore: Sharing a stage with a band like Lamb Of God must have been a dream come true-especially for a band from the North-East. What will be the celebration like?

Boom: When we first heard about The Summer Storm Festival, we just wanted to get access to the concert (that happened a few months back), wanting to see them performing. And now, we will be playing at the same concert. It’s a big thing for us, super big (laughs). We didn’t expect such an unexpected thing to happen. We are delighted and will try to bring some great music during the concert.

We don’t know about celebration, but this is definitely a great thing to look forward to. I am sure we will be able to deliver some great music in days to come, but we definitely hope that the best is yet to come.

MB. How old is Boomerang? 

Atea: We formed this band in 2005, and have been playing together ever since we did a local gig in Mizoram. It was small, but it made us realize that the four of us could bring in some great music together. It has been a delightful journey so far, but we hope to make it better. The improvisation always continues.

MB. What is the Boomerang sound? 

Boom: Nothing. We like to call ourselves a junk-rock band (laughs). Well, on the more serious note, I think our music is blended with a bit of jazz, funk, rock and metal. Blues inspire us a lot as well. 

MB. So, what does Boomerang listen to when they are not making their own music?

Atea: Since Rage Against The Machine (RATM) is one of our favourite bands, we love to listen to a lot of their numbers. But there are others like Incubus and John Mayer that we love to listen to as well. But, RATM will always be our favourite.

MB: It’s believed that North-East India has some great musicians, but they are not exposed to a platform like this. What’s your take on that? 

Boom: Yes, music is something that people are quite acquainted with in our state, and it’s the same with other states like Meghalaya and Nagaland, amongst others. Lack of platform is a major cause of concern for musicians there, for they don’t get the right stage to exhibit their talent. If these things are looked upon, then I am sure there will be some great bands that can come up.

MB. One of your favourite bands from the country?

Boom: Soulmate from Shillong. They are incredible. Tripti (Vocals) and Rudy (Guitars) make an amazing pair on stage. But there are others like Junkyard Grooves, Thermal and a Quarter that we love listening to. There are lot others, but it will be difficult to name them all. 

MB. Is this your first gig in Bangalore? What do you think about this city?

Atea: No, we have played here a couple of times already. We remember playing in Kyra and B Flat where we got a very nice response.

Bangalore is a great city, and it’s a great place for musicians too. That should be one of the reasons why the city has always got gigs happening. The crowd is very responsive and it’s a great place for any band to come and perform. Onlookers always matter during live in concerts. We have had a great time here so far. 

MB. 15th will be a big day. What are your expectations?

Boom: We are not really a great fan of metal music, but Lamb Of God is definitely huge. They are our favourite when it comes to this genre of music. We love listening to their music. Needless to say, we are looking forward to be performing in the concert. 

MB. Have you got anything special for the day? 

Atea: We will play music (that’s the whole idea), some good music (laughs). We will be playing all our own compositions, and hope that people will be receptive.

[ via mybangalore ]

14 May 2010

Lamb of God To Play in Bangalore Tomorrow And You Can’t Miss It

By Supritha Sanjay & Ranjini Garani

Bangalore, May 14 : Going by vocalist Randy Blythe’s Twitter updates, the rocker can’t wait to hit the Indian circuit. “I’m ready to go see temples, eat my ass off and play a RAGING show. I’m VERY excited — always wanted to see India,” Blythe says on Twitter with barely concealed exuberance. What’s more, he even says he is looking forward to tasting ‘idli-chutney’.

For fans of Lamb of God, the American heavy metal band that was nominated for a Grammy in 2007, the next two days are sure to carry a heavy charge of anticipation as they wait for the band to perform live on Saturday, May 15. The heavy metal outfit from Virginia is all set to headline at the Summer Storm Festival at Palace Grounds. The performance is sure to give trash metal fanatics an opportunity to support pure American metal, say fans from the city.

Lamb of God, sometimes shortened to LoG, is also called ‘The wrath of Virginia' and comprises of vocalist Randall Blythe, guitarists Mark Morton and Willie Adler, bassist John Campbell and drummer Chris Adler. Today, the band has a world-wide following. “It’s exciting to see people from Bangladesh, Nepal, Sri Lanka, and Dubai flocking to Bangalore to watch them live,” says Vinay Venugopal, co-owner of event management company Overture that is organizing the performance.

Bringing LoG down made perfect sense for Overture as the band is currently at the peak of its spell. But it wasn’t easy to manage the logistical challenges, the company confesses. “We had a few difficulties convincing the band, but LoG’s management has been very cooperative and patient with us,” says Venugopal.
lamb-of-god

Overture also aims to encourage local talent and figures there can’t be a better way to do that than giving Bangalore bands an opportunity to open the LoG act. Arpan Peter, co-founder of Overture, says, “We at Overture are trying to provide a platform for local bands and international acts like this one present the perfect opportunity.” Some of India’s youngest and grooviest bands such as Bhoomi and Extinct Reflections from Bangalore, Boomarang from Mizoram and Scribe from Mumbai will be opening for Lamb of God.

For Indian bands, the prospect of performing with LoG is exciting. Sandesh Nagaraj, guitarist, Extinct Reflections, has flown down from Los Angeles especially for this. For the band’s vocalist Prasad Bhat, “Opening for Lamb of God is challenging, but also a great honour.” Unfortunately, this one might be Extinct Reflections’ last gig, though Bhat feels this is the “best way to end our chapter in music.”

Venugopal feels that the intricacies of LoG’s music appeals to both technically inclined musicians as well as the average listener. A fan himself,Venugopal expects LoG to captivate the crowd in minutes with its riffs and onstage histrionics. Speaking of the music scene in the city, Venugopal says, “The city has a progressive music scenario, people have begun to appreciate an assortment of genres.” And he is indeed optimistic about the turnout for this one.

Going by the mood in the city, Bangalore seems to have a pretty large Lamb Of God fan following. Shruti Rao, who calls herself a“hardcore LoG fan”, says: “The countdown has begun! I’m looking forward to watching Walk With Me in Hell live. The guitar solo is insane. Mark Morton is the man!”

For young metal-heads, it’s time to celebrate as the city is hosting a large-scale metal event after a long dry spell. Bhargav Venkatesh, a student, is thrilled about the Summer Storm Festival. “After a string of disappointing acts, metal-heads like me are relieved that LoG will be performing here. They never fail to deliver inside the studio or out. My friends and I would always joke about LoG performing here one day, and now it’s really happening. We are totally kicked about this.” No wonder then that the organisers are excited about hosting Lamb of God. “They are one of the biggest international bands and have made a mark,” says Venugopal. Going by Blythe’s tweets, the band too is excited about its maiden India visit. We hope it’s not just for the ‘idli-chutney’.

11 May 2010

Ke$ha Claims Not To Use Autotune

KESHA Even the Wall Street Journal knows it: The auto-tune war is on.

Some stars can't get enough of the tune transformer, while others, like Jay-Z, hope for the "death of auto-tune."

A new YouTube clip from SoManyMP3s suggests Ke$ha may be a bit confused about where she stands.

The video shows Ke$ha talking about how she doesn't use auto-tune in her music--followed immediately by clips of Ke$ha songs that, to some, sound like they rely heavily on auto-tune.

"I don't use auto-tune," Ke$ha says. "I come from a country music-writing family."

She adds, "I'm not auto-tuning my vocals."

Guitar Heroes

Can a battle of the bands help end a brutal insurgency in India?

By Jeremy Kahn

Image credit: Sanjit Das

The young man warming his hands over a bucket of coals looks nervous. He opens his mouth wide, like a python swallowing a deer, then snaps it shut. “I’m trying to relax my jaw,” Lui Tzudir says. Tzudir is the 26-year-old front man for an alternative-rock band called Original Fire Factor, or OFF. Huddled nearby, the band’s two guitarists—one with dreadlocks, the other with headbanger-long hair—tune and retune their instruments while the drummer beats out a rhythm on the back of a chair. In little clusters around the cold, concrete room, other bands perform similar preshow rituals. The air smells of adrenaline, like a locker room before a high-school track meet.

The members of OFF look like the sort of Asian cool kids you might find jamming in a garage in Palo Alto or Seoul—but those places are worlds away. I am backstage at the Hornbill National Rock Contest, a battle of the bands held each December in Kohima, the capital of Nagaland, a forgotten corner of northeast India near the border with Burma. The contest seeks to crown India’s best unsigned rock act. For OFF and the other bands, winning means $10,000 and a chance at national recognition—perhaps even a record deal. But the stakes are higher for the state government, which set up the competition. It is betting that rock and roll might help end one of the longest-running insurgencies in Asia.

The rock contest is a modern addition to the larger Hornbill cultural festival, a kind of anthropological fair designed to showcase the folkways of the Nagas, the 30 or so related tribes that inhabit this region of mist-and-jungle-clad hills. The Nagas once had a fearsome reputation as warriors and headhunters. (At the festival, men of the Konyak tribe wear distinctive family heirlooms called yanra—necklaces strung with little human heads made of brass, one for every enemy decapitated in battle.) They resisted British rule until 1880, when they reached an uneasy accommodation with the colonial administration. As the British prepared to leave after World War II, the Nagas sought to establish their own country, and when neither London nor the newly independent India consented, they started an armed insurrection that has lasted 55 years, claiming thousands of lives. Today, convoys of the Assam Rifles—the Indian paramilitary force whose heavy-handed tactics have turned its motto, “Friends of the Hill People,” into an Orwellian joke—patrol Kohima with their faces hidden by black scarves, assault rifles at the ready.

Ending the insurgency is a priority for New Delhi. Naga tribes have become involved in rebellions in other northeastern states, and their example has encouraged other ethnic groups in the region to take up arms. India’s strategic rivals, Pakistan and China, have at times helped to arm and train the Naga rebels, using them as proxy fighters.

But a lasting peace settlement has proved elusive, and with the conflict deadlocked, the rebels have resorted to drug-running, kidnapping, extortion, and fratricidal killings among splinter groups. The violence has scared off desperately needed outside investment. The state’s only heavy industry, a paper mill, shut down in 1992, and nothing has taken its place. (Signs lining the route to the festival promote gathering honey from the forest as “sustainable development.”) With a population of just 2 million, Nagaland has 40,000 unemployed secondary-school graduates—offering the rebels a pool of angry young men without other prospects. In rural villages, the insurgents simply draft farmers’ sons into their ranks.

The members of OFF claim to care little about the separatist movement or its dream of an independent Greater Nagaland. “We are meant to believe certain things,” Tzudir says. “But the younger generation are not interested.”

Nagaland’s popular chief minister, Neiphiu Rio, wants to give these young Nagas alternatives. He has quixotic dreams of turning Kohima into India’s answer to Nashville or Motown. The rock contest is part of that plan. It is designed to connect Nagaland’s musicians to the outside world and, just maybe, to help reconcile feuding Naga tribes. “Any festival brings people together,” Rio tells me. “And when they start working together, moving together, doing things together, that brings people closer and brings understanding and unity.”

Tzudir and his band mates remain cynical. (“It’s nonsense,” Akum Aier, OFF’s long-haired bassist, says when I ask him about a new peace overture from the Indian government.) And yet, in one respect, Rio’s plan is already working. The guys in OFF don’t feel compelled to join an underground faction, and they are beginning to see rock and roll as a ticket out of Nagaland.

The question is: Where to go? Young Nagas feel alienated from “mainland India,” as they call the rest of the country. Most Nagas look East Asian, not South Asian, and those who travel to other Indian cities for education or work sometimes face discrimination or assault. Nagas speak English or Nagamese, not Hindi. They prefer Korean pop or American death metal to Bollywood or Bhangra. In a nation of Hindus, Jains, and Muslims, most Nagas are Baptist, thanks to American missionaries who ventured here in the late 19th and early 20th centuries.

“Every morning, I get up wishing I had been born somewhere else,” a 31-year-old engineer confesses to me during a party one night in Kohima.

OFF opens its first set at the festival with “Free Me,” a song that captures this longing for escape and the impossibility of realizing it: “Take me to some place where I can never be / Where I’ll become who I was meant to be,” Tzudir sings, his face aglow in multicolored stage lights. “Politics and sermons, you can’t move me.”

It is sometimes said that the Nagas have lived “10,000 years in a lifetime.” And on the competition’s last night, all 10,000 years seem to go by in a glance: girls in skinny jeans furiously thumb text messages while rubbing shoulders with guys in loincloths and headdresses who carry machetes and wicker baskets decorated with monkey skulls. Thousands of teenagers pack the outdoor amphitheater. The crowd is raucous, fueled by copious local rice beer. A wave of delighted screams washes over OFF, among the hometown favorites, as they take the stage. Throughout their set, fans in the front leap up and down like the colored balls in a toy corn popper.

When the machine-generated fog of rock war finally lifts, OFF emerges as the winner. “We still can’t believe it,” Tzudir texts me from backstage. The next morning I ask him what the band plans to do with the prize money. “Most will go to paying off the loans on our instruments,” Tzudir says, his voice still hoarse. “Then to make a recording of our songs and maybe upload it to the Net, or something like that.”

For a moment, it is easy to believe in the transformative power of rock and roll. The leaders of the largest Naga rebel faction recently met with top Indian officials, and both sides say they are serious about reaching a settlement. But they remain far apart on the details—and in Nagaland, gunfire has a way of drowning out a rocking bass line.

[ via theatlantic ]

27 April 2010

Magdalene Release Self Titled Second Album

magdalene Aizawl, Apr 27 : Mizoram based Gospel rock band Magdalene has released its self titled second album.

The album consists of 10 tracks of different genre’s, ranging from 1970’s to Techno. Magdalene is Victor on guitars, Steward on Vocals, Pate-a on Drums and P. B. Liansangzuala on Bass.

The band began in 2005 and got their name ‘Magdalene‘ from the Bible – ‘Mary Magdalene’, LUKE chapter 8:1-3.

Track list:
1. Place of an Angel
2. I don’t wanna Fall
3. Kan Fak
4. Sweet Surrender
5. Worthy of Praise
6. Sunday Pump
7.dEATH AWAITS
8. Phastan law’ng che
9. He’s Waiting
10. Fallen (Middle of Nowhere)

28 March 2010

185 Singers Across 12 Countries Perform

185 singers across 12 countries perform American composer Eric Whitacre’s “Lux Aurumque” as a “virtual choir” made up of individual YouTube video submissions collected over the course of six months.

14 March 2010

Mother Tongue Rocks For This Rock Bands

By Malini Nair

Avial Even if you can get your tongue around those twisters, it does not sound like the stuff rock music is made of. But when Avial’s vocalist hollers Nada nada nada it seems as though Malayalam was meant for headbanging.

Lovers of rock music suddenly cannot have enough of Avial and it does not seem to matter that few of their fans outside Kerala can sing along or even understand what Chekele, Adupambe or Nada nada nada mean.

In Karbi Anglong district of Assam, if you love heavy metal but do not know any English, you needn’t despair. There is Warklung, headed by a 30-something freespirit, Rocky Baba, and it even has a few hit albums to its credit.

Makes sense
Why rock in the vernacular? “Because it makes sense,” is Avial vocalist Tony John’s simple answer to why the band chose to sing in the mother tongue of its members. Various band members in their earlier avatars had been doing some desultory stuff in English — some covers, some original —when it struck them as a group that the most natural thing was to sing in Malayalam.

“We all thought that something was missing in our music when we sang in English. That music is not really yours. Singing in Malayalam brings us closer to the time and place we live in, it just makes us much happier,” says John, who was once part of an English band, Karizma. As it turned out their music made listeners very happy too.

Of course, there is no denying that Avial is reaping the benefits of being the first ever Malayalam rock band: because their music is a novelty, it gets many curious listeners and first-timers who don’t really care for rock otherwise.

Queat for identity
Avial is not the only vernacular band to shed the English baggage. Raghu Dixit Project and Swarathma both take pride in singing in Kannada. Dixit traces this to a phase of introspection in his mid-20s. “I started singing English rock when I was a wannabe and wanted to impress girls. Later, as I turned 24, I introspected, and began to wonder what I was really doing. I was trying to question my identity. That’s when I took to singing in other languages,” says Dixit, who finds the fresh Kannada — and sometimes Hindi — flavour of his music “a new great joy’’.

Indian Ocean and Euphoria, of course, have several Hindi hits to their credit. But then, any alternate Hindi music has to battle with the tremendous reach and popularity of Bollywood music.

However, after Rock On, quite a few inspired young groups have begun singing in Hindi. Faridkot is one of the youngest groups to come out of Delhi.

Bengal led the way
It was actually Bengal that led the way in regional rock. Way back in the ’70s when rock meant English, the cult group Mohiner Ghoraguli burst in on the Kolkata music scene with gritty Bengali numbers that dealt with contemporary social and political issues.

The group struggled for recognition during its day but today they are seen as trailblazers and the group’s name is almost used as a brand name forits music (Pritam used their incredibly beautiful Prithibita Naki in Gangster as Bheegi Bheegi, with some controversy over whether he gave the original enough credit). It also laid the road for other groups to follow.

Today Kolkata’s rock scene is bustling with talent and as music writer and drummer Nondon Bagchi points out every small town youngster in the state wants to be seen holding a guitar. Bhoomi, Lakhicharra, Chandrabindoo and Fossils are some of the groups that are creating quality music in the city.

“The benchmarks are really high here. Of course, there are the pretenders who think that it is enough to wear ear studs and practice occasional guitar to be a rockstar. But the groups that are good are bloody good. When we were doing rock music in the ’60s and ’70s, the idea was to just appeal to like-minded people. What Bengali rock has done is that it has made this music comprehensible to everyone from Ranaghat to Siliguri, not just in college campuses,” says Bagchi.

Mass appeal
Singing in an Indian language really opens up the audience base and market for these rock groups. Avial, for instance, says that their music is identified not just by the groovy crowds at Kochi and Thiruvananthapuram colleges but also by parents, grandparents and autorickshaw drivers. Dixit says it gets him the common janata.

“We would like to travel to as many places as possible. If it involves travelling by train or bus to smaller towns and villages, even better. We love to spread social consciousness about issues that matter. We live to take our music to people who can’t afford such exposure to music,” says Sanjeev Naik, the violinist with Swarathma, which focuses on folk fusion music.

Avial’s popularity in the rest of India has taken everyone — not least the band which has been struggling for recognition for eight years — by surprise. Few regional bands have even bothered to venture out of home territory because of the language barrier. Bengali bands, for instance, sing either at home or abroad to the NRI population. But record label Phat Phish, which released Avial’s first album, specialises in selling regional music on a national scale and believes that this is a strong market that has not been tapped enough.

Listeners today are discerning enough to spot sincere, engaging rock music when they hear it, no matter what the language. As Tony John puts it, the idea is not to just shove desi words into an alien format and somehow create a certain sound. The lyrics, music and the instrumentation — all need to come together convincingly. “If the music appeals to the people, they actually try to understand the lyrics,” says Dixit.

22 February 2010

Top 10 Free Ways To Discover New Music Online

GuitarBored with your music and want to discover some new bands or singers? There are two main ways you can do that online. You can use services which create music maps, allowing you to explore artists similar in genre to the artists you already listen to. Or you can use music blogs and websites that showcase independent or up-and-coming artists, whether the music is being reviewed, or posted by the musicians themselves.

Some of these websites have a community built around them, which gives fans the opportunity to interact directly with these new talents.

Here is a list of 10 free sites to discover new music.

TuneGlue

TuneGlue is straightforward and easy to use. Put in the name of a musical artist you like in the search bar and before you know it, you’ll have a whole web of musical artists that are in one way or another, similar to the band you started with.

Using TuneGlue, you start out with 6 similar artists, and can continue to explore and expand on them. In the case of some artists, you can also find added information such as a small bio and a link to their website.

10 ways to discover new music

Music-Map

A less flashy alternative to TuneGlue is Music-Map. While TuneGlue only initially suggests 6 similar artists, Music-Map instantly reveals all the similar artists in their database, with the most similar musicians closest to the original search term.

10 ways to discover new music

Music Roamer

Music Roamer adds another dimension to music map sites, by not only providing suggestions of similar artists, but also allowing you to listen to music directly on their site. The songs are powered by YouTube videos, but it should be said, in our experience, all of the tracks were live versions, and not always of very good quality. They also provide links to purchase the mp3s from Amazon.

While listening to a song on Music Roamer, you can also explore similar songs, not just similar musicians, which definitely puts it a step ahead of Music-Map and TuneGlue.

Music Roamer gives you more freedom in manipulating the appearance of your results – including resizing images and controlling how many similar artists are included in the results.

ways to discover new music

Bloson

The simplest alternative to these first three websites is Bloson. Searching for any given artist will provide you with a list of similar artists, whose music you can listen to directly on their website, again powered by YouTube videos. The videos, however, are not live and are usually of much better quality than Music Roamer’s videos.

discover new music

Zune

An alternative to Bloson is the Zune website, which you can benefit from whether or not you own a Zune.

This website is worth a mention because not only can you look up similar musicians, you have the added bonus of finding out which bands they were influenced by, as well as those they have influenced.

discover new music online

Other websites that you can use to discover similar music include Musicovery, TasteKid, Last.fm, Pandora and FineTune. A tip to getting a better user experience with FineTune is to use their Wii-player.

One Track Mind

Discovering new artists isn’t just about finding bands that are similar to musicians you already listen to. Blogs like One Track Mind have made it easy for musicians to share their music through a single platform, by submitting them to the site for review.

Music on One Track Mind is divided into four main genres: Indie, Electronic, Soul and Hip-Hop. Not only can you listen to posted songs, the song comes with a blog post about the artist, and you can also download the mp3 for free, and rate the song. The ratings are reflected in three criteria: originality, repeat listen potential and overall verdict.

discover new music

The Hype Machine

Another music blog to keep bookmarked, which also includes mainstream music, is The Hype Machine.

The Hype Machine scours music blogs for the best in music reviews and blog posts that contain mp3 files to stream or download.

Music can be browsed by popularity, both based on interaction on their website or on Twitter, by listening to a constant stream of eclectic music, or by listening to a customizable station based on your taste, amongst other ways.

new rock music

TheSixtyOne

Social music sites are another way to discover new music. TheSixtyOne is a great place to start if you’re looking for new talent. The site has under gone a recent and major revamp, which for previous users, could take some getting used to.

new rock music

Luckily if you don’t want to do that – you can always access the old site design by going here.

new rock music

Besides a total redesign with no remnants from the old site’s design, the categories have changed as well. Rather than dividing their music into genres, popular songs, and moods, it’s now categorized only by mood with mellow, party, trippy and funny on the list.

TheSixtyOne differs from One Track Mind in that artists and labels can post their own music to the site, albeit with limited uploads dependent on achieving certain ‘milestones.’

Listeners can add songs to their favourites, and the more popular a song is, the more likely it is to end up on the front page, or in the case of the new site, in the queue. The site is entirely community driven, with the users deciding what is popular and what isn’t, and in the process, earning ‘reputation points.’

While listening to songs, you can ‘heart’ them, share them and in some cases download them. TheSixtyOne also suggests similar songs to listen to.

Once you have been active enough on the site, you can listen to a station, based on your taste in music.

OurStage

If you’re more interested in the music and less interested in the community experience, a good alternative to TheSixtyOne is OurStage.

Simply choose one of their 42 stations, and listen to uninterrupted music from brand new singers and songwriters. You can also have a say in which songs end up on the OurStage charts, by taking part in the ‘judging’ process. After listening to two songs from the same genre, you can choose the song you liked more, and as they put it, save the world from mediocre music.

OurStage

PureVolume

PureVolume is yet another interesting alternative to OurStage and TheSixtyOne. It features both signed and unsigned bands, in over 50 genres. You can browse music by popularity or by featured artists. All songs are available to stream, while some are available for download as well. Each band has an individual page where they can post band information, their songs, and users can comment or add songs and singers to their favourites. Bands can sign up for free and start promoting their music, but there is also a pro account for musicians with additional features, including the opportunity to be included in the featured artists.

PureVolume also has social media integration, where you can share the music you find on Twitter and Facebook.

PureVolume